Ghostbusters Set For $70m Loss, Don't Expect A Sequel

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Home Forums MGTOW Central Ghostbusters Set For $70m Loss, Don't Expect A Sequel

This topic contains 47 replies, has 26 voices, and was last updated by Lonestar77  lonestar77 3 years, 5 months ago.

Viewing 20 posts - 21 through 40 (of 48 total)
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  • #280029
    +2
    MonkeyMind
    MonkeyMind
    Participant
    5340

    Paul Feig figured he could s~~~ all over the fanbase and he’s got his ass handed to him on a plate because of it.

    #280066
    +4
    Unbelievableyetnot
    Unbelievableyetnot
    Participant
    512

    So basically the only difference between Paul Feig and David Furtrelle is about the hundred and fifty pounds Feig is yet to gain when he realizes he’s finished and can’t get work anymore.

    Give it a year.

    A note to writers. You CANNOT appeal to feminists and expect success. Feminists only complain about male genres. They don’t pay money to see it. You think Anita Sarkeesian actually plays games? Hell no. They’re not going to buy your comic or watch your movie. I can’t believe I have to explain this s~~~.

    #280067
    +1
    Unicron
    Unicron
    Participant
    752

    Howard the Duck?

    I never got the hate for Howard the Duck.

    Marriage is the process of finding out what kind of man your wife would have preferred.

    #280076
    TaxGuy
    TaxGuy
    Participant

    So basically the only difference between Paul Feig and David Furtrelle is about the hundred and fifty pounds Feig is yet to gain when he realizes he’s finished and can’t get work anymore.

    Give it a year.

    A note to writers. You CANNOT appeal to feminists and expect success. Feminists only complain about male genres. They don’t pay money to see it. You think Anita Sarkeesian actually plays games? Hell no. They’re not going to buy your comic or watch your movie. I can’t believe I have to explain this s~~~.

    Same with sports. If women would watch women’s sports they would be paid better. But women don’t support women’s sports. They bitch about the fact that there’s no equality in pay for women athletes, and the go to the mall and buy the newest perfume put out by the Kardashians.

    Women don’t pay for a movie, a man does. And most men don’t want to watch that crap.

    You can cash in on feminism if you stick to selling items women use to trap men: make-up, perfume, push up bras, you get the idea.

    Order the good wine

    #280083
    +1
    OldBill
    OldBill
    Participant

    I never got the hate for Howard the Duck.

    I never saw it, and I never saw the other two movies I mentioned. All I know is that they were box office turds.

    Do not date. Do not impregnate. Do not co-habitate. Above all, do not marry. Reclaim and never again surrender your personal sovereignty.

    #280092
    IAmMan
    IAmMan
    Participant
    228

    Howard the duck scarred me.

    There was a new ghostbusters? More like a bunch of angry women got a hold of a camera then blew a director.

    #280093
    Jan Sobieski
    Jan Sobieski
    Participant
    28791

    I saw that this was supposed to be a trilogy.

    Love is just alimony waiting to happen. Visit mgtow.com.

    #280111
    Survivor
    survivor
    Participant
    610

    Yes, and is often the case what is not said is just as important as what is said. In an article at Breitbart today (sorry, I didn’t get the link) he blamed misogynists for its failure; but he put up a pretty weak argument for that. He’d really be in deep crap if he blamed it on the all-female cast. In other news now they are doing an all female version of Ocean’s 11 but calling it Ocean’s 8. Another dud coming down the pipe.

    "Shot through the heart, and you're to blame, You give love a bad name, I play my part and you play your game, You give love a bad name."--Bon Jovi

    #280120
    Beer
    Beer
    Participant
    11832

    This isn’t the first time they tried a reboot of Ghost Busters that moved away from the success of the original. Anyone remember this?

    a

    Of course you don’t…because it sucked ass, and it was in production for 3 months before it got canceled.

    I know I’ve said it before in threads about superheroes and stuff…but I honestly don’t give a s~~~ if they come up with characters and franchises that aren’t a majority white males, like Black Panther for example…I can’t wait to go see that movie when it comes out! I just wish they’d stop f~~~ing changing the s~~~ I grew up with…I’ll just boycott when they just randomly change a characters race, sex, or make them gay just to cater to minority groups and given how franchises that are getting this treatment have been performing it seems like I’m not the only one sick of the s~~~.

    #280122
    FunInTheSun
    FunInTheSun
    Participant
    8283

    If this movie had Bill Murray, Dan Aykroyd, and a few other funny guys (perhaps Will Ferrell and Kevin Hart), I’d be more likely to buy a ticket.

    Isn’t it interesting how they gave women what they wanted (leading roles in movies) and women wouldn’t SPEND THEIR MONEY to support it? FEMINIST FAILURE!

    "I saw that there comes a point, in the defeat of any man of virtue, when his own consent is needed for evil to win-and that no manner of injury done to him by others can succeed if he chooses to withhold his consent. I saw that I could put an end to your outrages by pronouncing a single word in my mind. I pronounced it. The word was ‘No.’" (Atlas Shrugged)

    #280148
    Big Boss
    Big Boss
    Participant
    4496

    Was so easy to make money and make people happy with a Ghostbuster’s movie. A f~~~ing teenager can do it. Yet Amy Pascal, Tim Rothman, and Paul Fig were paid enough money to manage to f~~~ up an easy sell.

    F~~~ing crazy how they are not in the unemployment line.

    #280156
    +1
    Unbelievableyetnot
    Unbelievableyetnot
    Participant
    512

    Especially considering Star Wars had already set the formula for how to do this kind of transition story effectively.

    They still had time to do re-shoots after Force Awakens dropped.

    Feig had a huge budget and a blueprint for success and he still f~~~ed it up because he violated the golden rule. You never write to be empowering. That creates preachy, stale work.

    Ima analyze what went wrong here from a writing perspective. Buckle in. It’s gonna get long.

    Their first mistake was their trailers were full of self empowering talk. By which I mean:

    “Holtzmann, You’re a brilliant engineer”
    “Erin, no one’s better at quantum physics than you”. (while getting the math on the blackboard wrong [her logMx/m results in her expressing 21.5 = 1.5])
    “We can see things no one else can”
    “You guys are really smart about the science stuff”
    “We might be the only ones who can stop it”
    “We have a gift”
    “We see what no one else is willing to see”.
    “We do things, others can’t do.
    “We’re the ones to answer the call”.
    “Except you girls, I think you can handle it”. (all the prior empowerment talk doesn’t allow that joke to work, as we’re thinking of course they can handle it. They’ve said so what, 12 times already? They don’t come across as the fish out of water underdogs the men did. We even have one doing acrobatics in trailer 2 with a proton pack on!

    Ever been to a party where someone won’t shut the f~~~ up about their achievements and how great they are? That’s what this is. And from that position, it’s VERY hard to tell jokes.

    The 1984 version worked because those characters weren’t constrained to being role models. Writers should never set out to write role models as it suffocates characterization. It needs to happen organically or not at all.

    And the anti male bias actually ruins the film’s internal logic. The jokes are one note:

    Why is kristen wigg’s mild mannered ex college professor, one step away from tenure, talking about, nay emphasizng how slime went down every crack after saying it went everywhere? Despite the grossed out reaction of her peer? Why does this highly educated woman at the top of professional academia have no concept of TMI?

    cos she’s weird and stupid. That’s the joke.

    Why is kevin drawing already gigantic busoms on the ghost symbol and then talking about making them BIGGER?

    Cos he’s weird and stupid. That’s the joke. Never mind that no man ever would seriously suggest making them bigger.

    Why didn’t they say “Haha funny. Where’s the real symbol?” Why didn’t they assume he was joking? Because literally every human being above the age of 9 would assume that.

    Oh right, cos they’re all weird and stupid. That’s the joke.

    Why would that jerk from MAD tv talk about how scary and foreboding the ghosts are, how they’ll haunt their nightmares, then suddenly reverse it and say the girls can handle it – UNLESS he was consciously trying to make a joke?

    Could it be that he’s …weird and stupid?

    Why would Patty slap mcarthy again and quote the exorcist after shes seen the ghost leave her friend and after she’s heard mccarthy talk about how thats gonna leave a mark?

    Cos she’s loud and stupid. That’s the joke.

    Unlike the 1984 version, this is humour derived from throwing out the fundamentals of how human beings communicate with one another. The contradictions in logic and sense compound on the movie and it is broken.

    The following is gained from watching a spoilered reviews:

    This film has an anti male complex. Every single man in the movie is either ludicrously inept, or toxic as hell. Firstly the obcession with smashing male genitals. Kate mckinnon develops the “nutcracker” at the end and they shoot the ghostbusters logo in his crotch. Which doesn’t make sense as it’s obviously not a vulnerable point in a giant supernatural monster. It was just done because f~~~ men.

    Being strong against a twisted strawman isn’t very strong. That’s why if writers are going to go down the strong female character route, they need, nay MUST write strong males beside them. Far from making the female character weaker, it will actually make her seem stronger and more legit.

    The male librarian poos his pants during the ghost scene while the women are all badass about it. They mock him in fact. Even with “jokes” about his virginity I hear.

    Rowan is a study in “toxic masculinity” made into a character. Kevin is written stupid beyond the point of Homer Simpson. Out of his mouth comes “humour” as stale as “Can I bring Mike cat to work?” “He’s actually a dog!” He’s in the kitchen making sandwiches during the apocalypse, he takes the lenses out of his glasses to clean them and whenever there’s a loud noise – he plugs his eyes. With his fingers.
    They repeat that joke several times in fact. That is literally chimpanzee behaviour.

    Kristin Wigg hires him purely on looks, as we saw in the trailer, “You’re hired” Heheheheeh!” Yeah, because this ex professor, literally at the pinnacle of academia, (“Erin, no one’s better at quantum physics than you”) is really gonna trust this chimp level dimwit around an unlicensed power plant and other easily lethal state of the art nuclear tech, cos he’s HAWT. Would she let a child run around there too? Cos it’s the same thing. At least the Original Ghostbusters had Winston interviewed. She doesn’t know the first thing about this asshole.

    Kate Mackinnon apparently just mugs for the camera the whole time. And acts “quirky” Meaning delivering non sequitrs. All reviews are unanimous on saying that the cast seem to be ad libbing and stepping out of character often. Melissa mccartly steps OOC and becomes melissa mcarthy. As if Paul Feig just said “Say funny things! Go!” They try to pack joke after joke like an SNL skit that’s limited on time, seemingly not realising they have a feature length running time to deliver quality over quantity.

    For example, there’s a running joke about a pizza order. They did that crap back in the super mario bros movie with Bob Hoskins. Wasn’t funny then either.

    Krisen Wigg is the best in the world at quantum physics by the trailers own words. So that’s like Stephen Hawking saying that. It’s not believable. She should have been the anal retentive “straight (wo)man” to the other’s wacky hijnks. The one who gets annoyed by the others and then opens up and comes together in friendship at the movie’s climax And it makes me wonder how they didn’t know to do that. (they’re idiots).

    I’ve consistently heard that they act like deadly accurate, acrobats and well trained fighters by the end when that was never established earlier in the film in order to be “empowering”. One flies like Superwoman in a wormhole, and the beams kill the ghosts when they were only ever established as trapping beams.

    When Holtzman licks one of her guns as she goes to confront some ghosts, far from being a brash, berserker-scientist Holtzman moment, the inevitable question arises:
    Why does she do that? Who’s she doing it for? Why would she ever put a gun that dangerous near her face? Doesn’t she know how these guns burst with energy? Ya like bad gun safety do ya? Ya like characters licking things that probably have nuclear waste on it? There’s no thought to anything that’s happening.

    #280162
    Constantine
    Constantine
    Participant
    4420

    It has enlivened a 30-year-old brand and put it into the modern zeitgeist.

    What are they talking about?! They’re speaking of the first one as if it was long forgotten and needed a jump-start! That was far from the case! The first once was a classic that was very fondly remembered, and didn’t need enlivening! They’re not right in the head if they think that this new movie did anything to “enliven” an already much-loved world!

    As a result, we have many ideas in the works to further exploit the Ghostbusters universe.”

    Did they just blatantly admit that this is all exploitation?

    They could dump the toys in the ocean and see where they beach themselves just like those yellow rubber ducks from that container ship that became an experiment.

    Or throw them into a New Mexico landfill like they did with that stupid ET video game.

    New

    A note to writers. You CANNOT appeal to feminists and expect success. Feminists only complain about male genres. They don’t pay money to see it. You think Anita Sarkeesian actually plays games? Hell no.

    Exactly, women always bitch about action movies needing to feature more female heroes, but when the hell do you ever see the same women lining up in droves to watch those action movies? It’s all big talk and hot air!

    To see what is in front of one's nose requires a constant struggle. -Orwell

    #280172
    +2
    Sidecar
    sidecar
    Participant
    35837

    Who greenlighted Heaven’s Gate? Ishtar? Howard the Duck?

    But nobody’s blaming the fans, especially male fans, for Ishtar or Howard the Duck. Nobody’s trying to say they were right and the audience is wrong.

    #280175
    +1
    Constantine
    Constantine
    Participant
    4420

    They don’t come across as the fish out of water underdogs the men did. We even have one doing acrobatics in trailer 2 with a proton pack on!

    The 1984 version worked because those characters weren’t constrained to being role models.

    Yup. That was one of the things that was great about the original. You didn’t have a bunch of lug-headed muscle boys, the characters were human. They were not activists on a mission to prove their greatness, they were just three geeky guys who tapped into something that they realised they could make money from. It made them far more relatable. By making the female lot in this version an unstoppable force, the film missed the point entirely. It turned into a condescending, heavy-handed, bigoted mess, which is the last thing that a “comedy” is meant to be. Did they really think that audiences wouldn’t mind being lectured? People don’t like to be lectured in real life, why would they enjoy it in a movie that they’re ostensibly watching for pleasure?

    Which doesn’t make sense as it’s obviously not a vulnerable point in a giant supernatural monster. It was just done because f~~~ men.

    And again, they have no concept of subtlety. A lot of people forget that the real villain in the 1984 version was Walter Peck. He was the one who caused all of the trouble for them, because he demanded that they shut off their holding traps. The near-apocalypse that subsequently happened was therefore because of him. Heaven forbid having a nasty woman in this new version who wrecks havoc by demanding that the girls close down their machinery and nearly destroy the town. It’s just easier to have a big male monster who they can shoot in the crotch, even though there’s no reason why that would affect a GHOST. To hell with layers, keep everything black-and-white – “because men are to blame for everything and we can’t be bothered with tact”.

    To see what is in front of one's nose requires a constant struggle. -Orwell

    #280199
    +2
    OldBill
    OldBill
    Participant

    But nobody’s blaming the fans, especially male fans, for Ishtar or Howard the Duck. Nobody’s trying to say they were right and the audience is wrong.

    Very true. However, I’ve read pieces that blamed Heaven’s Gate on the “fact” that American audiences weren’t ready for a “European-style” film or that the critics hatred the director so much that they pig piled on the film.

    Even with revisionist explanations years after the fact, Hollywood used to basically take responsibility for it’s turds. They’d point to out of control expenses, dictatorial directors, studio meddling, or dozens of other things. Today, however, they’ve a got boogeyman to blame everything on.

    Now the audience is wrong because that’s how SJWs think. Hollywood converged long ago. SJWs are either the power brokers or have the power brokers’ ears. This latest turd might loosen their grip a little, but it’s going to take a lot more expensive turds to shake the SJWs loose. Hollywood is going to have to lose a lot of money over a number of years for the SJWs’ claims that “The audience is wrong” not to fly anymore.

    There is one interesting recent development and, oddly enough, it involves Sony.

    I’ve a relative in SoCal who is involved in the technical side of the “Industry” as it’s called there. It seems that Sony quietly dropped it’s “US first” production strategy this spring for a global approach. “US first” meant that aspects like projects, topics, genres, scripts, casting, and so forth were all conducted with US sales first in mind with what might help overseas sales a minor consideration.

    Sony is now putting overseas sales concerns first and that means we’re going to see a slow but steady change it what TV series, mini-series, movies, and the so on look like. What does that mean? My relative had two examples.

    First, fewer stupid white dads. The Far East and South Asia really don’t go for the “Dad’s a f~~~ing retarded douchebag” trope the US has been ladling out for the last couple of decades. Families and parents are still kind of important there, so they don’t like media which drags them down.

    Second, no more “Magic Negroes”. You’re going to see fewer African-Americans, let alone fewer wise calm black people who always save the day. Putting it another way, Morgan Freeman isn’t going to be playing God in every other movie. Again, overseas markets don’t go for that white guilt s~~~ and they don’t care about being called racists by a bunch of hoodrats and race baiters, so they aren’t going to be blacks in a production just “because”.

    The next decade or so should be interesting for the Industry.

    Do not date. Do not impregnate. Do not co-habitate. Above all, do not marry. Reclaim and never again surrender your personal sovereignty.

    #280255
    Sidecar
    sidecar
    Participant
    35837

    “US first” meant that aspects like projects, topics, genres, scripts, casting, and so forth were all conducted with US sales first in mind

    I’m not even sure they have been putting US sales first. It seems to me their top priority has been putting keeping US SJWs and feminists happy first. If they’d been worried about actual sales as a priority they wouldn’t have been f~~~ing up so much lately.

    Then again they are the company responsible for betamax and UMD and the BMG virus. So Sony does have a bit of a history of f~~~ing up and deciding it’s the customers who are wrong.

    #280298
    +1
    OldBill
    OldBill
    Participant

    I’m not even sure they have been putting US sales first. It seems to me their top priority has been putting keeping US SJWs and feminists happy first.

    If you think about it, you’ll realize that those two statements aren’t mutually exclusive.

    Sony and the rest of Hollywood genuinely thought that the demands of noisy SJW/feminist pressure groups was what the US market wanted to see. And, until fairly recently, those types of groups were able to successfully boycott, rabble rouse, and otherwise impose changes to media projects. Those groups seemed to have so much power that studios acted proactively and self censored.

    If they’d been worried about actual sales as a priority they wouldn’t have been f~~~ing up so much lately.

    That’s one reason why there’s been a shift. The studios and others are losing money. Also, thanks to Gamersgate and similar movements, people have begun realizing that the SJWs, feminazis, and other progressive asssclowns represent a rather tiny minority.

    Then again they are the company responsible for betamax and UMD and the BMG virus. So Sony does have a bit of a history of f~~~ing up and deciding it’s the customers who are wrong.

    They’re not the only one. ESPN lost 4 million subscribers and $350 million over the last Nielsen year and 12 million subscribers and $1 billion over the last five. ESPN/ABC is losing so much money that in the near future they won’t be able to make the same huge bids they’ve made for certain sports packages. Monday Night Football alone costs something like $1.5 billion a year.

    Now, there are structural reasons for some of those incredible losses but the majority are due to the SJW convergence at ESPN and the constant ideological propaganda they’ve imposed in the networks programming. People, meaning men mostly, are simply tuning out of ESPN and watching regional sports networks thanks to ESPN’s idiotic promotion of sports and people men don’t f~~~ing care about.

    Their actions turned off the major part of their subscriber base and their either too stupid or ideologically besotted to realize it. It doesn’t matter because they’re going to be running out of money in the next five years or so.

    Do not date. Do not impregnate. Do not co-habitate. Above all, do not marry. Reclaim and never again surrender your personal sovereignty.

    #280306
    +2
    Sidecar
    sidecar
    Participant
    35837

    Sony and the rest of Hollywood genuinely thought that the demands of noisy SJW/feminist pressure groups was what the US market wanted to see.

    But they’ve had a decade to learn otherwise. The point I’m making is not that they made a mistake, but that they keep making the same mistake.

    Maybe they’ve finally learned.

    #280320
    +1
    OldBill
    OldBill
    Participant

    But they’ve had a decade to learn otherwise. The point I’m making is not that they made a mistake, but that they keep making the same mistake.

    Institutional inertia. That, coupled with enough SJWs spread through the industry determined to ignore the reality of the situation.

    Maybe they’ve finally learned.

    Perhaps they have, but it will take some time for the new thinking to take hold.

    Look at how Hollywood handled the advent of TV back in the early 50s. Anyone with a room temperature IQ could see the studios were perfectly positioned thanks to the B movie and short subject departments to produce all the content the new TV networks would ever need. However, having just lost their theater chain monopolies, all the major studios could do was run in circles while screaming.

    The only business creativity Hollywood has involves bookkeeping.

    Do not date. Do not impregnate. Do not co-habitate. Above all, do not marry. Reclaim and never again surrender your personal sovereignty.

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